FILM,
TELEVISION AND MEDIA STUDIES
The
Film, Television and Media Studies concentration focuses on a variety
of paths students may pursue for employment as writers, teachers,
archivists, museum personnel. This concentration also aims to enhance
student knowledge of film and television for use in the creative fields
of directing, cinematography, screenwriting and acting. Areas of study
include: American and World Film History, including African-American
Film History; Genre and Auteur Studies with courses on Film Noir, Teens
Films and American Auteurs from Hitchcock to David Lynch to Charles
Burnett; and Television Studies, including a critical History of Television
Genres.
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FILM & TELEVISION STUDIES |
| 12 credits of Required Foundation Courses:
MA 100 Media Aesthetics
MA 152 Writing The Screenplay
MA 119 Business of Media Arts
MA 187 Introduction to Film & Television Studies
21credits of Recommended Electives from:
MA 102 Television Production I* or
MA 106 Video Workshop I*
MA 183 Contemporary American Cinema
MA 181 World Cinema: The Modern Era
MA 180 American Cinema: The Golden Age
MA 109 History of Broadcasting
MA 189 Hollywood’s New Wave
MA 192 Prime-Time Television
+ any 3 credits from film/TV genre-specific courses.
+ any 3 credits from film/TV nation-specific courses.
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+6 credits of Required Ancillary: courses above 100 outside Department.
Recommend: PSY, POL, ENG, SOC ANT, JOU.
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Media Arts 10 Introduction to Communication
Arts
Prerequisite: Permission of Department
Chair
Offered on occasion
An introduction to communication arts designed
to define the strengths of the individual student and to sharpen analytical,
communication and presentation skills . It is aimed at channeling students’
creative strengths into a product or project in a workshop environment.
Students are provided with the tools of presentation and production
to help build the analytical and critical skills required to assess
their own productivity. Participants engage in the development of a
project from idea through refinement, to completed project in print,
audio, video, or photographic essay. Three credits.
Media Arts 100 Media Aesthetics
This required foundation course introduces students
to the fundamentals of media arts and visual literacy – light, color,
composition, perspective, time, motion, sound – and discusses how they
are applied in the various forms of contemporary media. In a workshop
environment, using media objects as texts, students also explore narrative,
art history, philosophy of media, spectatorship, theories of perception
and their own creativity. Three credits.
Media Arts 102 Television Production I
Special Fee: $55.00
Offered every semester
An introduction to the practice and principles
of television studio production. The course covers all the basic production
techniques, including scripting, lighting, shooting, producing and directing.
Technical operation and understanding of all studio equipment, including
cameras, switcher, audio board and character generator, are stressed.
Students apply their skills in studio production assignments. Three
credits.
Media Arts 106 Video Workshop
I
Special Fee: $55.00
Offered every semester
An introduction to the principles and practice
of portable digital video production. Working in crews on field projects,
students explore the techniques and aesthetics of single-camera videography,
sound recording, location lighting and video editing. Three credits.
Media Arts 109 History
of Broadcasting
(Same as Journalism 131)
Offered every Fall
An introduction to the history of radio and television.
Topics include the changing relationship between politics and broadcasting,
the mobilization of broadcasting resources during wars, the complex
relationship between the broadcasting industry and the government, and
the growth and nature of federal regulatory legislation. Three credits.
Media Arts 113 Media Arts in the Twenty-first
Century
Prerequisite: Permission of the
instructor
Offered on occasion
This course discusses the past, present and future
impact on human society of modern media and communication technologies.
Emphasis is on critical analysis of media; debating ethical issues such
as access, privacy and censorship; and research into contemporary institutions
of technological development and innovation. Students participate in
field trips, on-site research, and interaction with media and technology
professionals. Three credits.
Media Arts 119 Business of Media Arts
Special Fee: $55.00
Prerequisite: Completion of 64 credits
Offered every semester
A required course which discusses the applications
of business skills for the media artist. Topics include professional
development, media management principles, art and commerce, writing
the business plan, and grant writing.. Media professionals are invited
as guest lecturers. Three credits.
Media Arts
142 The Arts in the Twentieth Century
For course description, see Art
107. Three credits.
Media Arts 144 Comparative Media Systems
Offered on occasion
A survey and analysis of print, broadcast and advanced
telecommunications media in countries around the globe. The emphasis
is on political and economic dynamics of information systems. Three
credits.
Media Arts 152 Screenplay
Special Fee: $40.00
Prerequisite: Media Arts 100 and three credits from English 61-64 or
permission of the instructor
Offered on occasion
An intermediate course for the serious writer designed
to develop screenwriting skills in a workshop environment. Emphasis
on the writer’s creative process, evaluation techniques and constructive
feedback. Working independently and in groups, students complete a full-length
screenplay as their semester-long assignment. Three credits.
Media Arts 178 Fairy Tales: From Disney to
J-Lo
Special Fee: $40.00
Offered on occasion
An exploration of how fairy tale motifs are used
in movies and how this can affect a female’s psyche over time. What
17th century standards and prejudices are being passed down to young
viewers sitting in front of their VCRs entranced by Disney? How are
fairy tales evolving or being deconstructed in the movies to fit the
more “feminist minded p.c. mold” of today? Three credits
Media Arts 179 Film Genre
Special Fee: $40.00
Offered on occasion
An examination of the Hollywood film and studio
system through film genres. The course defines “genres” as an industry
term and a critical construct and explores the social, political and
industrial factors affecting film genre construction. Topics include
the horror film, women’s film/melodrama, science fiction and the gangster
film. Three credits.
Media Arts 180 American Cinema: The Golden
Age—1930-1960
Special Fee: $40.00
Offered on occasion
A survey of American sound films from the 1930s
through the 1950s. Screenings are made of classics of comedy and drama
as well as genre films (westerns, film noir, musical comedy). The individualism
of American filmmakers like Welles, Capra and Lang as well as their
relationships to Hollywood and society at large is explored. Three credits.
Media Arts 181 World Cinema: The Modern Era
Special Fee: $40.00
Offered on occasion
An exploration of the modernist tradition in films
of the 1960s through the 1980s. The exciting breakthrough possible in
the new forms of film expression is the central theme of the course,
and the influence of such directors as Rossellini, Godard, Fassbinder
and Coppola is examined. Modernism in the other arts is also related
to the films screened, representing a wide range of nationalities and
styles. Three credits.
Media Arts 182 Film Criticism
Special Fee: $40.00
Offered on occasion
A study of analytic approaches to film and their
application to the writing of film criticism. A number of approaches
are discussed—journalistic, humanist, auteurist, historical, social,
scientific, ideological and theoretical; films screened represent a
wide variety of directors, styles and genres. Through in-depth analysis
of each film in class and in written criticisms, students learn to express
their ideas and feelings about film. Three credits.
Media Arts 183 Contemporary American Cinema
Special Fee: $40.00
Offered on occasion
A contextual approach to contemporary American
cinema, including both fiction and nonfiction films. The emphasis is
on the development of styles and techniques and the relationship of
film to other arts, media and society. Includes class discussion and
the writing of criticism. Occasionally guest filmmakers are invited
to talk about their work. Three credits.
Media Arts 184 Teen Films of the 1980s and
1990s
Special Fee: $40.00
Offered on occasion
An examination of genre theory by exploring the
conventions and transformation of one genre -- the teen film. Focus
is on the pivotal role of both female and black New Wave directors,
viewing the genre as validating a collectivist spirit in the 1980s and
both promoting and contesting the attack on teens and teen culture in
the 1990s. Three credits.
Media Arts 185 The Psychological Film
Special Fee: $40.00
Offered on occasion
An exploration of film from psychological and sociological
perspectives. Topics include the psychological development of characters;
the history and influence of psychoanalytic theory on the cinema; the
impact of film on the attitudes of the individual and society; and film
as a reflection of psychic and cultural identity. A wide range of directors,
nationalities and styles are represented in the films screened. Three
credits.
Media Arts 187 Film and Television Studies
Special Fee: $40.00
Prerequisite: Media Arts 100
Offered every semester
A survey of the history and development of world
cinema and television. Through screenings and discussions, students
study this twentieth-century art form as developed by various countries,
individuals and movements. The development of cinema and television
as an industry and a part of the larger economy; as a series of technical
innovations; as a history of aesthetic forms; as a social, cultural
and political force; and as a reflection of the ideas of its society
is explored. This is a Writing Intensive course and is required
for students following a concentration related to moving image. Three
credits.
Media Arts 188 Film Noir: The Dark Side of
America
Special Fee: $40.00
Offered on occasion
An exploration of the noir tradition from its origins
in German expressionism and American gangster films to its classic period
after World War II and its current widespread contemporary acceptance.
Noir is explored as visual style, as subversive attitude and as an historical
series reflecting American anxiety from World War II to the present.
Three credits.
Media Arts 189 Hollywood’s New Wave
Special Fee: $40.00
Offered on occasion
A study of the development of the Hollywood film
from 1960 to 1980, from the breakup of the studio system through the
influence of the 1960s social movements and the European Art Cinema
to the retreat to a more traditional cinema. Topics include the rise
of the low-budget film, the New Wave in Hollywood, Blaxploitation and
the black art film. Directors studied include Scorcese, Coppola and
Corman. Three credits.
Media Arts 192 Prime-Time Television
Special Fee: $40.00
Offered on occasion
An introduction to the form, content and ideology
of the network television series. An analysis of the series format,
including attempts to explain why series are popular, and an examination
of such conventions of TV genres as the sitcom and the police series.
Students are given an opportunity both to write papers on the development
of the TV series and to write a treatment for an episode of a TV series.
Three credits.
Media Arts 193 Great American Directors
Special Fee: $40.00
Offered on occasion
A consideration of the director as author of a
film. The work of several directors is examined to identify stylistic
and thematic consistencies and the way culture, industrial and economic
factors influence their works. The influence of foreign directors on
Hollywood, of female directors and of the contribution of cultures outside
the mainstream of Hollywood cinema is also considered. Directors include
Hitchcock, Welles, Spike Lee, Charles Burnett, and Amy Heckerling. Three
credits.
Media Arts 194 Men, Women and Film
Special Fee: $40.00
Offered on occasion
An examination of femininity and masculinity on
the screen and how men and women interact, as seen through a body of
film criticism known as feminist film theory. The representation of
men and women in Hollywood genres is discussed in terms of class, culture,
and men and women interacting in different cultures. Three credits.
Media Arts 195, 196 Honors Study
Honors Study is designed to give outstanding students
an opportunity to do independent work in their major under the guidance
of a member of the faculty. There are no regular class meetings. To
be eligible, students must have upper junior or senior status, a cumulative
quality-point ratio of 3.00 and a 3.25 ratio in their major subject,
and the permission of the Director of the Department and the Dean. A
total of six credits of Honors Study is the maximum allowed. Three credits
per semester.
Media Arts 197, 198 Independent Study
Prerequisites: Permission of student
advisor, the Department Chair and the Dean
Courses designed to give students in their junior
or senior year an opportunity to do independent work under the guidance
of a member of the Media Arts faculty. There are no regular class meetings.
Students may undertake either a production (video, screenplay, photography
etc.) or a research paper. Three credits per course.
Media Arts 199 Media Arts Internship
Prerequisites: At least 64 credits
and Permission of Faculty Advisor and Department Chair
During their senior year, Media Arts majors are
strongly recommended to undertake one internship with a media organization.
Consultation with Director of Professional Development and approval
of the Department is required. Three credits. May be taken in subsequent
semesters for credit.
Media Arts 200 Series
Offered every year - Subject matter
determined by the expertise of a visiting artist-in-residence. Courses
vary from semester to semester and may be repeated for credit. Three
credits per course.
Media Arts 201 The Musical: From Jazz to Hip
Hop
Special Fee: $40.00
Offered on occasion
A survey of the history of the movie musical, paying
particular attention to how musicals depict various sub-cultures and
how changes in the form reflect larger developments in social taste.
The course charts the musical’s transformation from fantasy narrative
to documentary music video. Three credits.
Media Arts 212 African-American
Film
Special Fee: $40.00
Offered on occasion
An examination of African-American images as an
intrusion on typical Hollywood mainstream narrative. By concentrating
on images both inside and outside dominant filmmaking institutions,
the course surveys the implicit transgressive politics of filmmakers
from Clarence Brown and Oscar Micheaux, to Melvin Van Peebles, Charles
Burnett and Ivan Julien. Three credits.
Media Arts 222 Mass Communication
and New Media in Society
(Same as Journalism 222 and Speech
222)
For course description, see Speech 222.
Media Arts 239 Survey of Computer Art
Prerequisites: For B.F.A. students:
Art 101 and Art 102; for B.A. students: Media Arts 100
Offered on occasion
An advanced New Media theory class in Computer
Art, this class will chronologically span the pioneering efforts of
the first generation of computer artists to the latest in Internet and
computer installations. Class sessions will include lectures, in-class
presentations, and on-site gallery and museum exhibitions. Lively theoretical
papers and discussions will be required. Three credits.
Media Arts 282 The Road
Movie: Discovering America
Special Fee: $40.00
Offered on occasion
An examination of a genre that stresses social
mobility from its beginnings in the 1930s, through its apex in the 1970s,
to its continuing importance today. This quintessential American genre
is seen as tracing differences in class, race and political experience.
Three credits.
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